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GÖZYAŞI_TEPESİ_IABA.mp4
data Audiovisual 1981 2 5361 document 1981 HILL OF TEARS- related data 2026.txt text/plain 1abd6f7d8bff4a863fa098c3e3c9c442 MD5 7556 2026-03-13 14:06:07 https://opendata.ljmu.ac.uk/id/eprint/265/3/HILL%20OF%20TEARS-%20related%20data%202026.txt 265 3 3 text/plain text en public cc_by_4
HILL OF TEARS- related data 2026.txt
readme Text 1982 1 5366 document 1982 indexcodes.txt text/plain c887e824cff5c0f93c5a2b7e638b4439 MD5 3604 2026-03-13 14:16:13 https://opendata.ljmu.ac.uk/id/eprint/265/4/indexcodes.txt 265 4 4 text/plain Generate index codes conversion from text to indexcodes en public
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http://eprints.org/relation/isVersionOf https://opendata.ljmu.ac.uk/id/document/1981 http://eprints.org/relation/isVolatileVersionOf https://opendata.ljmu.ac.uk/id/document/1981 http://eprints.org/relation/isIndexCodesVersionOf https://opendata.ljmu.ac.uk/id/document/1981 archive 7 disk0/00/00/02/65 2026-03-13 14:07:30 2026-03-13 14:07:30 2026-03-13 14:07:30 data_collection show 7 Yildirim Okta Birge 0000-0001-7872-2239 Hill of Tears - related data 2026 art public 3606 Visual arts Depositing user's licence comment: Hill of Tears makes visible the state of “being in-between” through an installation that explores how space can act as a political instrument and how architecture can intertwine with collective memory. Drawing on Judith Butler’s reflections on the political power of public mourning, the installation revolves around two essential questions: “Whose grief counts as public?” and “Can architecture mourn with us?” 2026-03-05 published 10.24377/LJMU.d.00000265 Birge Yildirim Okta 3606 Video English English 2026-03-01 2026-03-05 https://opendata.ljmu.ac.uk/id/eprint/253/ 2026-03-05